Art from the Margins (AFTM) is a creative initiative of Wesley Mission Queensland that supports, exhibits and promotes the work of artists living with adversity, mental health issues, physical or intellectual disabilities, or experiencing homelessness and social isolation.
In 2018-2019, AFTM hosted Inspired AIR, a series of three artists’ residencies to support professional development for AFTM artists. In each residency, AFTM artists worked with professional artists through creative collaboration, mentorships, public programming events and mini exhibitions.
Collaborating artists and organisations included VERGE Collective, artist Therese Flynn-Clarke and Jugglers Art Space artists Rachel Apelt and Bodhi Gardener.
Work created during the residencies was showcased in three exhibitions:
Community engagement was supported throughout residencies with opportunities for the public to attend and participate in arts workshops, drop-in fibre art activities and exhibitions.
July 2018 to July 2019, Brisbane
$48,080 through Queensland Arts Showcase Program (QASP) – Arts Ignite
QASP provides funding to support the delivery of vibrant and accessible arts and cultural experiences for Queensland. The Arts Ignite stream supports new and emerging talent, and extends artists and/or organisations’ practice, audiences and markets.
The three residencies were developed on [an] intensive model. This approach was considered the best method for ensuring AFTM artists would participate and be engaged enough to see the mentorship through to completion.
For some participants, this short and rapid development period was productive but others, including the mentors, found the short timeframe stressful with extremely tight deadlines and insufficient time to incorporate offsite excursions.
While each residency was successful, the level of engagement, art work development, advocacy and promotion of the Inspired AIR mentoring project would benefit from a longer project timeline, with each residency scheduled over at least a six-month timeframe from artist consultation, creative development workshops and curating through to exhibition, art activations, events and public programs.
As soon as I read about these workshops I knew I could afford to attend. It is really nice to have had access to the materials funded by a grant. Most often affordability of materials and lessons has been my biggest hurdle. – Fibre and textile workshop participant
The night workshop, mentoring and feedback on work in a constructive, kind manner, and then seeing everything come together with the exhibition, that it was accessible financially … [This has] given me new ideas, skills [and] stimulated creative thought. – Catching Light participant
Ensure that mentoring artists understand the organisation and client base they are working with and have appropriate skill sets to work with emerging artists.
Provide soft introductions of mentors, perhaps inviting them to observe or participate in workshops with outsider artist groups, to develop a rapport and relationship with the artists before the formal mentorship commences. This way they have some understanding of the group needs and expectations.
Set goals and measures collectively with mentor and group participants, so they are realistic and achievable. The amount of new work generated, visitor numbers or art works sales aren’t necessarily the best measures of success.
Facilitate regular communication between mentors and mentorees, as well as opportunities to reflect and debrief.
AFTM has been approached by a corporate partner to deliver a mural project with 2019 AFTM emerging artists. The AFTM Foto Group is collectively working toward an external exhibition project with an inner Brisbane City gallery. There have been discussions with the University of Queensland Business School about the potential to expand research and evaluation of AFTM projects and programs over longer timeframes.
Art from the Margins
Talks with the artists
Images
Banner image: Woven and Tied: Women's Work? workshop art works
Images courtesy of Art from the Margins and photographers Peter McGhie, Krystal Sempf and John Pryke.